![<strong>the Feminine Divine has been brought out from under the dustcover of myth and wrenched into vibrant life</strong> Nothing But Light cover hi-res](https://circlingrivers.com/cms/wp-content/uploads/cache/2022/02/9781939530233-Perfect-LIGHTcover-300dpi-scaled/2108856670.jpg)
the Feminine Divine has been brought out from under the dustcover of myth and wrenched into vibrant life
![<strong>2024 PUSHCART PRIZE [Wilson] takes what is most raw, most vulnerable, most undone, and brings it to the page with precision and gemlike perfection.… These are poems that tell the truth. I was hypnotized by BLUE. — Rosemerry Wahtola Trommer</strong> Cover Blue: Poems, by Erin Wilson](https://circlingrivers.com/cms/wp-content/uploads/cache/2020/05/Wilson-Blue-cover-300dpi-1/2551995880.jpg)
2024 PUSHCART PRIZE [Wilson] takes what is most raw, most vulnerable, most undone, and brings it to the page with precision and gemlike perfection.… These are poems that tell the truth. I was hypnotized by BLUE. — Rosemerry Wahtola Trommer
![<strong>The grace of the writing, its tenderness and often [its] humour lifts us, as does its determination to look through sometimes harrowing details to wider perspectives, ones we can all use, simply being human, moving outwards and on. — Philip Gross</strong> Cover On The Level: Poems, by Bryan R. Monte](https://circlingrivers.com/cms/wp-content/uploads/cache/2022/05/MONTE-COVER-front/51484287.jpg)
The grace of the writing, its tenderness and often [its] humour lifts us, as does its determination to look through sometimes harrowing details to wider perspectives, ones we can all use, simply being human, moving outwards and on. — Philip Gross
!["A nuanced seeking after desire, and the sometimes perplexing results of that search." —Gerald Costanzo, Regular Haunts Travelers-cover](https://circlingrivers.com/cms/wp-content/uploads/cache/2023/02/belczyk-cover-front/886145814.jpg)
“A nuanced seeking after desire, and the sometimes perplexing results of that search.” —Gerald Costanzo, Regular Haunts
![<strong>"Clinton’s language bears the stamp of pure poetry: well-wrought syntax, sudden juxtapositions, and especially a compelling musicality." </strong> Clinton Wasteland Honey front cover](https://circlingrivers.com/cms/wp-content/uploads/cache/2021/07/9781939530196-ClintonWH-frontcover-300dpi-scaled/1706389081.jpg)
“Clinton’s language bears the stamp of pure poetry: well-wrought syntax, sudden juxtapositions, and especially a compelling musicality.”
![<strong>"Love’s Fingerprints makes its strange and original music from the duet of past and present.… braiding [hope and memory] together in moving dialogue.” — Carl Dennis (Pulitzer Prize for Poetry)
</strong> Love's Fingerprints cover](https://circlingrivers.com/cms/wp-content/uploads/2020/12/HORN-cover-web.jpg)
“Love’s Fingerprints makes its strange and original music from the duet of past and present.… braiding [hope and memory] together in moving dialogue.” — Carl Dennis (Pulitzer Prize for Poetry)
![<strong>“One of the most powerful gathering of poems I’ve read in years…. Our study is to understand that a new voice has strode across the field, and made its place." — Brian Brett, To Your Scattered Bodies Go (2011 CBC poetry prize) </strong> At Home with Disquiet cover](https://circlingrivers.com/cms/wp-content/uploads/cache/2020/12/Wilson-AtHome-frontcover-web/700286465.jpg)
“One of the most powerful gathering of poems I’ve read in years…. Our study is to understand that a new voice has strode across the field, and made its place.” — Brian Brett, To Your Scattered Bodies Go (2011 CBC poetry prize)
![<strong>“Radiates a level of universal empathy and vivid experience that cements Murray’s place as masterful poet.” </strong> Alcestis in the Underworld cover](https://circlingrivers.com/cms/wp-content/uploads/cache/2020/12/Murray-Alc-frontcover-web/337478299.jpg)
“Radiates a level of universal empathy and vivid experience that cements Murray’s place as masterful poet.”
![<strong>“Exuberant, filled with daring imaginative leaps.... a testament to the power of art’s ability to inspire.” </strong> Loplop in a Red City cover](https://circlingrivers.com/cms/wp-content/uploads/cache/2020/12/Loplop_cover_FRONT-scaled/1623931192.jpg)
“Exuberant, filled with daring imaginative leaps…. a testament to the power of art’s ability to inspire.”
![<strong>“A true Whitmanian feast—for the intellect as well as for the eyes.The book keeps opening up to new facets of Whitman, his work, and his era.” — Ed Folsom, Editor of Walt Whitman Quarterly Review </strong> With Walt Whitman, Himself cover](https://circlingrivers.com/cms/wp-content/uploads/2020/12/WWH-cover-web.jpg)
“A true Whitmanian feast—for the intellect as well as for the eyes.The book keeps opening up to new facets of Whitman, his work, and his era.” — Ed Folsom, Editor of Walt Whitman Quarterly Review
![<strong>All 9 volumes - searchable! A first-hand look into nineteenth century America and Walt Whitman’s poetic process, with Whitman's often prophetic insights. </strong> With Walt Whitman in Camden](https://circlingrivers.com/cms/wp-content/uploads/cache/2021/07/wwwc-ebook-KDP-1/3874434743.jpg)
All 9 volumes – searchable! A first-hand look into nineteenth century America and Walt Whitman’s poetic process, with Whitman’s often prophetic insights.